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Image credit: © Universal Pictures / 87North

There’s something instantly refreshing about The Fall Guy, a film that knows exactly what it is and leans into it with confidence, humour, and a genuine love for the craft of filmmaking. Directed by David Leitch, himself a former stunt performer, it plays as both a glossy action-comedy and a heartfelt tribute to the people who quite literally take the hits behind the scenes, and it’s all the more enjoyable for it. It’s a crowd-pleasing, star-driven blockbuster that feels increasingly rare, packed with big set-pieces, sharp comedy, and just enough emotional grounding to give it a bit of weight without ever slowing the fun.

A Love Letter to Stunt Work (With Explosions, Obviously)

At the centre of it all is Colt Seavers, played by Ryan Gosling, a stuntman whose career takes a hit after a serious on-set accident. When he’s pulled back into the industry for a major film shoot, it’s not just about the job, it’s about facing everything he walked away from, including Jody Moreno, played by Emily Blunt, his ex and now a first-time director trying to hold her own chaotic production together. What follows is part action spectacle, part romantic comedy, and part behind-the-scenes Hollywood satire, as Colt finds himself searching for a missing movie star, dodging increasingly ridiculous danger, and, in true stuntman fashion, taking more hits than anyone reasonably should.

The film doesn’t try to overcomplicate its premise, instead using it as a framework to celebrate stunt work in all its forms, from high-speed chases to fire stunts to full-scale crashes, all presented with a sense of appreciation rather than illusion. It’s not about hiding the mechanics, it’s about showing just how impressive they are.

Two Movie Stars Doing What They Do Best

The real strength of The Fall Guy comes down to its leads. Gosling is in peak form here, balancing physical comedy, dry humour, and genuine vulnerability with ease, playing Colt as both slightly ridiculous and entirely lovable. He leans into the chaos of the role without ever losing that grounded, human centre. Blunt is just as strong, bringing sharpness and confidence to Jody while also giving the character emotional depth, especially in the film’s more personal moments. Their chemistry is immediate and effortless, carrying the film through its lighter beats and giving the romance a charm that feels properly earned. Together, they give The Fall Guy that old-school movie star energy, the kind that makes even the most over-the-top sequences feel anchored in something real.

Image credit: © Universal Pictures / 87North
Big Action, Bigger Personality

Leitch clearly knows how to stage action, but what makes The Fall Guy stand out is how much personality is baked into every sequence. The stunts aren’t just there for spectacle, they’re playful, inventive, and often tied directly into the film’s humour and storytelling. There’s also a strong sense of self-awareness running throughout, with plenty of industry jokes, meta nods, and affectionate digs at Hollywood itself, from egotistical actors to chaotic productions. It never feels cynical, though. If anything, it’s a film made by people who genuinely love movies, even when they’re poking fun at them. The plot itself is deliberately over-the-top, occasionally bordering on ridiculous, but it works because the film never pretends otherwise. It’s all part of the ride.

The standout sequence arrives during the now-iconic fiery speedboat chase, set to YUNGBLUD’s high-energy cover of “I Was Made for Lovin’ You,” where everything the film does well comes together at once. As Colt attempts to outrun a group of hired enforcers sent after him, racing across open water at full speed, the sequence builds into a full-scale spectacle of flames, precision stunt work, and perfectly timed chaos, each beat escalating the tension while still keeping that sense of fun firmly intact.

It’s not just visually impressive, though it absolutely is, but it’s the way it blends action, music, and humour that makes it unforgettable. There’s a rhythm to it, a sense of controlled madness, where every beat lands exactly as it should, and it captures the film’s tone perfectly, right down to that brilliantly over-the-top moment of Colt emerging from the water like an action-hero dream sequence, played completely straight for maximum effect. It’s thrilling, ridiculous, and genuinely fun, which, in a film like this, is exactly what you want.

Final Thoughts

The Fall Guy delivers a hugely entertaining, star-led blockbuster that feels made with care, humour, and a clear appreciation for the craft behind it. With standout performances, inventive action, and a sense of fun that runs through every scene, it’s the kind of film that reminds you why big, crowd-pleasing cinema still works when it’s done well.

The Fall Guy arrived in UK cinemas on 2 May 2024.